https://vimeo.com/744730824
The title sequence mirrors the frantic life of an agent with a hectic split-screen montage of London's West End and a flurry of animated, rejected, amended and sometimes destroyed contracts.© BRON Studios / Amazon / Sundance Now.
Archives: Work
https://vimeo.com/744728785/d8375167d2
Our third title sequence collaboration with director Sean Ellis, for 'The Cursed’ (AKA 'Eight for Silver') was an expression of our mutual love affair with optical techniques employed in classic horror films such as 'The Thing’. The main title typography was designed to dominate the screen, whilst being off-centre to suggest that all is not well. Once designed, a partially translucent piece of vinyl cut artwork was made and shot using a Time Shift Box which allows the film to advance...
https://vimeo.com/763923923
Mama’s Boy is a documentary about a mostly-paralysed, conservative Christian mother, and her relationship with her gay son, Lance Black, the Oscar winning writer of Milk. A central theme of the film is division within America as well as divisions within Lance’s own family. The title sequence sought to depict a clear division as we all as be evocative of the bridging of an emotional divide that for a while kept Lance and his mother apart before they are eventually unified by their love for one other. As well...
https://vimeo.com/391189466
Our brief was simple: Write & make an ad with social media variations and cutdowns to boost recruitments numbers for Kent Police, with a visible but subtle focus on new BAME recruits; and have it on air in less than a month. The recruitment drive was so successful that the subsequent open day was oversubscribed for the first time ever. The campaign saw a 50% increase in applicants compared to the previous year and a steady increase of BAME and...